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JB 16
Blue flutist
On the left hand
side on the middle panel of the triptych The last Judgement a
cheerful blue creature adds lustre with his music to the horrifying
spectacle. He symbolises the lawlessness, ending in many not being
admitted to heaven on Judgement Day. |

JB 17
Freak with beard
The middle panel of
the triptych The Last Judgement shows a 'rillo' with beard, a freak
with merely a head and legs. Furthermore, this creature has been
adorned by Bosch with the tail of a reptile. He looks with a
frightened expression at the mincer, where sinners are put through
on Judgement Day. |

JB 18
The temptation of
Saint Anthony
The attribution of this panel to
Jheronimus Bosch is debatable. It dates from his time indeed, but it
is possibly made by another painter from the north of the
Netherlands. In this respect, the name of Geertgen tot Sint Jans is
mentioned. Despite the threats surrounding him, the hermit sits
there contemplating imperturbably. Even his pig does not seem
impressed by the peculiar castle monster which attacks him. |
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JB 19
Fat belly with dagger
On the right panel of the
triptych The Temptation of Saint Anthony, the devoted saint turns
his head from the naked devil queen and her entourage. His gaze
points at a set table, as a symbol for greed. The dagger in the
creature's fat belly shows the consequences of intemperance. |
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JB 20
Saint Anthony on flying frog
On the left panel of the
triptych The Temptation of Saint Anthony, the Saint is carried away
after he has been battered by the devil. In the sacred story he is
once again assaulted and tossed high into the air by the devils.
Poor Anthony here lies praying on a flying frog, whilst he is being
besieged by devils in wolves clothing. The frog appears on the
painting as an androgynous symbol several times. |