HIËRONYMUS BOSCH (+1516)

JB 16

 

Blue flutist

On the left hand side on the middle panel of the triptych The last Judgement a cheerful blue creature adds lustre with his music to the horrifying spectacle. He symbolises the lawlessness, ending in many not being admitted to heaven on Judgement Day.

JB 17

 

Freak with beard

The middle panel of the triptych The Last Judgement shows a 'rillo' with beard, a freak with merely a head and legs. Furthermore, this creature has been adorned by Bosch with the tail of a reptile. He looks with a frightened expression at the mincer, where sinners are put through on Judgement Day.

JB 18

 

The temptation of Saint Anthony

 The attribution of this panel to Jheronimus Bosch is debatable. It dates from his time indeed, but it is possibly made by another painter from the north of the Netherlands. In this respect, the name of Geertgen tot Sint Jans is mentioned. Despite the threats surrounding him, the hermit sits there contemplating imperturbably. Even his pig does not seem impressed by the peculiar castle monster which attacks him.

JB 19

Fat belly with dagger

 On the right panel of the triptych The Temptation of Saint Anthony, the devoted saint turns his head from the naked devil queen and her entourage. His gaze points at a set table, as a symbol for greed. The dagger in the creature's fat belly shows the consequences of intemperance.

 

 

JB 20

Saint Anthony on flying frog

 On the left panel of the triptych The Temptation of Saint Anthony, the Saint is carried away after he has been battered by the devil. In the sacred story he is once again assaulted and tossed high into the air by the devils. Poor Anthony here lies praying on a flying frog, whilst he is being besieged by devils in wolves clothing. The frog appears on the painting as an androgynous symbol several times.

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